1. Homer

    Seven cities contend to have harboured his cradle:
    Smyrna, Chios, Kollophon,
    Ithaké, Pylos, Argos,
    Athénai.

    Like a lamb he strolls
    through marine pastures,
    unseen, unburied,
    unexcavated, casting no
    biographical shadow.

    Did he ever have trouble with the authorities?
    Did he never get drunk? Was he never bugged,
    not even when singing?
    Did he never love fox terriers, cats,
    or young boys?

    How much better the Iliad would be
    if Agamemnon could be proved to bear
    his features or if Helen’s biology
    reflected contemporary facts.

    How much better the Odyssey would be
    if he had two heads,
    one leg,
    or shared one woman
    with his publisher.

    Somehow he neglected all that
    in his blindness.
    And thus he towers
    in literary history
    as a cautionary example
    of an author so unsuccessful
    that maybe he didn’t exist at all.

    —Miroslav Holub

     

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    plays: 22

    Death Cab for Cutie - “I Will Possess Your Heart”

     


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    plays: 14

    CocoRosie - “Werewolf”

     


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    Ludwig van Beethoven’s Piano Sonata No. 14 ‘Moonlight’, 1st Mov. Really quite creepy.

     

  6. OH MY GOD IT’S AGYNESS DEYN AND ALEXA CHUNG!

     

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  8. [Flash 9 is required to listen to audio.]

    plays: 20

    The Science Of Selling Yourself Short - Less Than Jake (externally hosted)

     


  9. [Flash 9 is required to listen to audio.]

    plays: 6

    Spanish Bombs - The Clash

     


  10. [Flash 9 is required to listen to audio.]

    plays: 60

    David Tennant (as Edgar aka “Poor Tom”) & some other people doing King Lear

     


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    plays: 5

    “Push” - Matchbox Twenty

     

  12. citron tea (via ila betapi)

     

  13. A chrome Lamborghini Murcielago!!! (by jaspersimons)

     


  14. What literature needs most to tell and investigate today are humanity’s basic fears: the fear of being left outside, and the fear of counting for nothing, and the feelings of worthlessness that come with such fears; the collective humiliations, vulnerabilities, slights, grievances, sensitivities, and imagined insults, and the nationalist boasts and inflations that are their next of kin … Whenever I am confronted by such sentiments, and by the irrational, overstated language in which they are usually expressed, I know they touch on a darkness inside me. We have often witnessed peoples, societies and nations outside the Western world–and I can identify with them easily–succumbing to fears that sometimes lead them to commit stupidities, all because of their fears of humiliation and their sensitivities. I also know that in the West–a world with which I can identify with the same ease–nations and peoples taking an excessive pride in their wealth, and in their having brought us the Renaissance, the Enlightenment, and Modernism, have, from time to time, succumbed to a self-satisfaction that is almost as stupid.
    — Orhan Pamuk, Nobel Lecture
     

  15. William S. Burroughs and Jack Kerouac, 1953 (via predatorywaspobserver)